Trading posts of the Dutch East India Company (VOC); Canton

Creator Name

Cultural Context

Date

c. 1662 - c. 1663, ca. 1662 - ca. 1663

Source

Rijksmuseum

About the Work

Rijksmuseum Object Description

This series of paintings hanging high in a row here feature various trading posts of the Dutch East India Company (VOC) in Asia. It was a network between which not only products but also enslaved people were transported. The VOC shipped between 660,000 and 1,135,000 people in the 17th and 18th centuries.

De reeks schilderijen die hier hoog op een rij hangt, toont verschillende handelsposten van de Verenigde Oost-Indische Compagnie (VOC) in Azië. Het was een netwerk waartussen niet alleen producten, maar ook tot slaaf gemaakte mensen getransporteerd werden. De VOC verscheepte in de 17de en 18de eeuw tussen de 660.000 en 1.135.000 personen.

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Title

Trading posts of the Dutch East India Company (VOC); Canton

Creator

Worktype

painting; schilderij

Cultural Context

Material

linnen; linen (material); oil paint (paint); olieverf

Dimensions

height 97 cm x width 139.5 cm;
drager: hoogte 97 cm x breedte 139,5 cm

Technique

Language

Date

c. 1662 - c. 1663, ca. 1662 - ca. 1663

Provenance

**For the present painting (SK-A-4474) and six other Asian views (SK-A-4471 to 4473 and SK-A-4475 to 4477)**
Commissioned from the workshop of Johannes Vingboons, with three other paintings, for fl. 1,040, by the Amsterdam chamber of the Dutch East India Company (VOC), before 30 April 1663;{NATH, VOC Archives, acc. no. 1.04.02, inv. no. 4583, _Generale staten 1642-1678_, 30 April 1663; see K. Zandvliet, _Mapping for Money: Maps, Plans and Topographic Paintings and their Role in Dutch Overseas Expansion during the 16th and 17th Centuries_, Amsterdam 1998, p. 270. According to the bookkeeper of the Amsterdam VOC chamber, the other chambers (of Middelburg, Hoorn, Enkhuizen, Delft and Rotterdam) owed it a total of 520 guilders for a series of ten paintings. The money had already been paid to David Vingboons. It is assumed that the Amsterdam chamber itself was responsible for half of the invoice, which would mean that the entire sum for the series was 1,040 guilders; see ibid., p. 270.} ? recorded in East India House, Hoogstraat, Amsterdam, 1663,{O. Dapper, _Historische beschryving der stadt Amsterdam_, Amsterdam 1663, p. 448: ‘In de zael daer de Bewinthebbers vergaderen […] hangen rontom d’Eylanden van de Molukken, slooten, bosschaedjens, dicht van specery-boomen, steden, havens, kapen, die wy aen het anderen eint des werelts bezitten. Daer hangen uitgeschildert de plaetzen, dicht by China gelegen, waer aen men speurt wat een gunst de Nederlanders by verre gelege volken dagelijx meer en meer vinden’.} 1664{F. von Zesen, _Beschreibung der Stadt Amsterdam: Darinnen von Derselben ersten Ursprunge bis auf gegenwärtigen Zustand, ihr unterschiedlicher Anwachs, herliche Vorrechte und in mehr als 70 Kupfer-stükken entworfene fürnehmste Gebeue [...] vor augen gestellet werden_, Amsterdam 1664, p. 315: ‘Ja noch mehr dergleichen gemahlte tafeln und abrisse, wie auch allerhand seltzame Ost-Indische gewächse siehet man in den andern sählen und kammern’.} and 1765;{J. Wagenaar, _Amsterdam in zyne opkomst, aanwas, geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe_, II, Amsterdam 1761, p. 83: ‘In sommigen [kamers], daar de Bewindhebbers vergaderen, zyn eenige Chineesche en andere Schilderyen geplaatst’.} transferred to the Ministry of the Colonies, The Hague, between 1831 and 1847;{In 1831 paintings from the Koloniaal Magazijn (Colonial Storehouse) in East India House were given to the Ministry of the Colonies, which was transferred from Amsterdam to The Hague in the same year; see J.C. Overvoorde, ‘Gebouwen der O.I. Compagnie: Amsterdam’, _Bulletin Koninklijke Nederlandse Oudheidkundige Bond_ 29 (1928), pp. 17-55, esp. p. 32. It is assumed that the present series of seven paintings was among those mentioned. A document of 1847 about shipments from the Ministry of the Colonies mentions all ten pictures; see K. Zandvliet, _Mapping for Money: Maps, Plans and Topographic Paintings and their Role in Dutch Overseas Expansion during the 16th and 17th Centuries_, Amsterdam 1998, p. 270.} recorded in the attic of the Ministry of the Colonies, 1873;{V. de Stuers, _Holland op zijn smalst_, Amsterdam 1873, p. 34.} transferred to the Nederlandsch Museum voor Geschiedenis en Kunst, The Hague (inv. nos. 2853-59), 1876;{Notes RMA. The paintings with inv. nos. 2858 (SK-A-4476) and 2859 (SK-A-4477) were badly damaged.} transferred to the museum, 1885

Style Period

Rights

Public domain

Inscription

Location

Source

Rijksmuseum

Subjects

Verenigde Oostindische Compagnie; sailing-ship, sailing-boat; locations for trading; Kanton (stad)

Topic

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