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Raising the Alms-Bowl

Creator Name

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Unknown;
Li Gonglin

Cultural Context

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Buddhist; Chinese; Asian

Date

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Creation: 17th century, 18th century, Ming dynasty, Qing dynasty

About the Work

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Produced in late Ming or early Qing dynasty China during the seventeenth or eighteenth century, this handscroll depicts the conversion of Guizimu to Buddhism. Guizimu is the Chinese Buddhist form of the goddess Hariti, a flesh-eating demon notorious for stealing other women's children. According to Buddhist legend, mothers in Rajgir in northern India, terrorized by Hariti's child-stealing, appealed to Buddha for help. To teach Guizimu the pain of losing a child, the Buddha hid one of her own children beneath his magical alms bowl. In her grief, Guizimu attempted to lift the bowl by force but was unable to do so.


In the version of the story illustrated here, she recruits an army of demons—shown at left—to assist her. Despite their collective strength and the mechanical devices they employ, including a giant lever, the bowl remains immovable. Only when Guizimu renounces child-stealing and accepts Buddhist principles is she able to lift the alms bowl and be reunited with her child.

Metropolitan Museum of Art Object Description
Handscroll

Work details

"--" = no data available
Curationist Logo= Curationist added metadata

Title

Raising the Alms-Bowl

Creator

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Li Gonglin, Painter, after
unidentified artist, Artist;
Formerly Attributed to Zhao Boju, Artist

Worktype

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Scroll painting
Paintings

Cultural Context

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Buddhist; Chinese; Asian
China

Material

Handscroll; ink, color, and gold on paper

Dimensions

10 3/4 x 41 3/4 in. (27.3 x 106 cm);
height: 27.3centimetre;
width: 106centimetre

Technique

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Painting

Language

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Chinese

Date

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Creation: 17th century, 18th century, Ming dynasty, Qing dynasty
17th–18th century

Provenance

Rogers Fund, 1927

Style Period

Ming (1368–1644) or Qing dynasty (1644–1911)

Rights

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Public Domain
Public Domain

Inscription

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Text: (Calligraphy attached to the painting) Unidentified artist, 33 columns in standard script, undated, (Colophon 1) Wu Cheng 吳澄 (1249–1333), 7 columns in standard script, undated; 2 seals, (Colophon 2) Zhang Yuan 張遠 (Yuan dynasty, 1271-1368), 15 columns in semi-cursive script, undated; 1 seal, (Colophon 3) Bi Long 畢瀧 (ca. 1730–ca. 1797), 15 columns in semi-cursive/standard script, dated 1790; 3 seals, (Colophon 4) Bi Long 畢瀧 (ca. 1730–ca. 1797), 11 columns in semi-cursive/standard script, undated; 2 seals, (Colophon 5) Bi Long 畢瀧 (ca. 1730–ca. 1797), 4 columns in semi-cursive/standard script, dated 1789; 1 seal:, (Colophon 6) Yuan Kewen 袁克文 (1889–1931), 12 columns in semi-cursive script, dated 1915; 3 seals, (Colophon 7) Yuan Kewen 袁克文 (1889–1931), 15 columns in standard script, dated 1917; 9 seals;
(11 Collectors' seals) Zhao Boju 趙伯駒(12th c.)(spurious); Xiang Yuanbian 項元汴 (1525–1590); Wang Shimin 王時敏 (1592–1680); Bi Long 畢瀧 (ca. 1730–ca. 1797); Luo Pin 羅聘 (1733–1799); Yuan Kewen 袁克文(1889–1931); Liu Meizhen 劉梅真(early 20th c.); Unidentified; Illegible: 3

Location

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Creation: China, East Asia, Asia

Subjects

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Descriptive Topic: Deity, Fertility, Mother, Child, Fire, Weapon, War, People, Machine, Bowl, Seal, Calligraphy;
Personal Name: Hariti
Men; Women; Buddhism; Buddha; Demons

Topic

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Curationist Contributors

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Emily Benoff; Reina Gattuso

All Works in Curationist’s archives can be reproduced and used freely. How to attribute this Work:

unidentified artist, Raising the Alms-Bowl, 17th–18th century. Metropolitan Museum of Art. This Chinese scroll depicts Guizimu’s conversion to Buddhism after Buddha stole one of her children as punishment. Public Domain.

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