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Panel Portrait of a Woman

Creator Name

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Unknown

Cultural Context

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Egyptian; Roman

Date

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Creation: 2nd century, Greco-Roman Egypt, Roman Egypt Era, Roman Empire

About the Work

Curationist LogoCurationist Object Description

Funerary portraits immortalize the sitter, and their status, for eternity. Fayum portraits, named after the Faiyum Governorate where many of them were found in the 19th and 20th century, depict elite Greco-Egyptian sitters from Roman Imperial Egypt.


This woman ‘s portrait has grown hazy with age, but we can still see her brilliantly gilded earrings, gold coin necklace, and gold details on her garment. The knot in her purple and white garment may associate her with the cult of the goddess Isis. Isis merged with the Greek goddess Aphrodite in some places during the Ptolemaic dynasty. Isis-Aphrodite was still popular during this woman’s lifetime, reinforcing the syncretic beliefs about life, death, and divinity that characterized Fayum portraits, which drew from both Egyptian and Greco-Roman funerary practices.

Walters Art Museum Object Description
The woman portrayed here is richly adorned with jewelry, from her gold and pearl earrings to the gold embellishments on her purple garment to her heavy gold necklace. The raised shapes are created with plaster, and the gold elements are gilded. The central design of the large disc pendant appears to be a gold coin, and examples of Roman and Late antique jewelry that incorporates gold coins have survived. The woman’s white garment is tied in a knot that may connect her to the cult of the goddess Isis. The shape of the panel—narrower around her head and broader at her shoulders—is thought to be characteristic of mummy portraits from the city of Antinoöpolis, Egypt. This panel is unusually thick, ...

Work details

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Title

Panel Portrait of a Woman

Creator

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Unknown, Artist
Egyptian

Worktype

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Funerary object; Funerary mask; Panel painting
Painting & Drawing; mummy portraits; death masks

Cultural Context

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Egyptian; Roman
Roman

Material

encaustic (wax and pigments) on beech wood

Dimensions

H: 18 × W at bottom: 8 1/8 × W at top: 7 × D: 1/4 in. (45.7 × 20.64 × 17.78 × 0.64 cm)

Technique

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Encaustic painting; Painting; Gilding

Language

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Date

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Creation: 2nd century, Greco-Roman Egypt, Roman Egypt Era, Roman Empire
Creation: ca. 130-200 CE (Roman Imperial)

Provenance

Walters Art Museum, 1931, by bequest.; Dikran Kelekian, New York and Paris [date and mode of acquisition unknown] [as from Fayum]; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.

Style Period

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Rights

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CC0;
GNU Free Documentation License

Inscription

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Location

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Creation: Egypt, North Africa, Africa, Antinoöpolis, Minya Governorate

Subjects

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Descriptive Topic: Woman, Portrait, Devotees of Isis, Ancient Greeks, Egyptian people, Death (natural phenomenon), People, Afterlife , Gold, Jewelry, Necklace, Earring, Coin, Mummy , Social status, Upper class

Topic

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Curationist Contributors

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Reina Gattuso; Christina Stone; Emily Benoff

All Works in Curationist’s archives can be reproduced and used freely. How to attribute this Work:

Unknown, Panel Portrait of a Woman, ca. 130-200 CE (Roman Imperial). Walters Art Museum. A funerary portrait of a Greco-Egyptian woman from Roman Imperial Egypt wearing jewelry. Her knotted tunic may associate her with the goddess Isis. CC0.

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