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Dhanasri Ragini

Creator Name

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Unknown

Cultural Context

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Asian

Date

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Creation: 17th century

Source

About the Work

Curationist LogoCurationist Object Description
Dhanasri Ragini is part of a “Ragamala” series of paintings. In Hindustani classical music, a “raga” is a scale, which is gendered masculine through cultural convention, while a “ragini” is the feminine counterpart. The “Ragamala” is the name of both a musical treatise and a genre of paintings, in which artists depict a series of personified ragas and raginis to create a “garland (mala) of ragas.” In this painting, Dhanasri ragini is represented as a woman longing for her lover. She sits painting outside her empty bedchamber, in the company of her sakhi or friend. Based on generic conventions, we can assume she is painting her absent lover. The luxurious setting indicates the women may be residents of the royal zenana or women’s quarters. The painting is rare evidence of early modern Indian women’s artmaking.

Work details

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Curationist Logo= Curationist added metadata

Title

Dhanasri Ragini

Creator

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Unknown (link to bio), Painter

Worktype

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Ragamala painting
Painting; Paintings

Cultural Context

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Asian
Himalayan peoples; South Asians

Material

Opaque watercolor and gold on paper

Dimensions

H x W (painting): 23.5 × 18.4 cm (9 1/4 × 7 1/4 in);
H x W (overall): 31.2 × 24.5 cm (12 5/16 × 9 5/8 in)

Technique

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Watercolor

Language

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Date

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Creation: 17th century
1680s, 1670s;
Date: ca. 1680

Provenance

To 1971 Chhote Bharany, New Delhi [1] From 1971 to 2001 Ralph Benkaim (1914-2001), purchased from Chhote Bharany, New Delhi in December 1971 From 2001 to 2018 Catherine Glynn Benkaim, Beverly Hills, California, by inheritance from Ralph Benkaim in 2001 From 2018 Arthur M. Sackler Gallery, partial gift and purchase from Catherine Glynn Benkaim Notes: [1] All of the Benkaim Bharany paintings were bought in the United States, according to Catherine Glynn Benkaim May 23-24, 2016, who further notes that the dealer Chhote Bharany had two children who went to school in California and he had relatives in NYC. Gurshuran Sidhu reported that Bharany took all of his paintings out of India before the Emergency (most probably in 1969) and kept them with William Wolff in New York.; Credit Line: Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the National Museum of Asian Art

Style Period

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Rights

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CC0
CC0

Inscription

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Text: سوگواري پسري در مرگ پدرمنطق الطیر

Location

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Creation: Bundi, Raghogarh State
India

Subjects

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Descriptive Topic: People, Art of painting, Bed, Geometric motif, Personification
portrait; woman; ragamala; pavilion; India; South Asian and Himalayan Art; painting; Catherine and Ralph Benkaim Collection; Pavilion; Art; Portraits; Ragamala; Woman

Topic

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Curationist Contributors

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Jessica Gengler; Reina Gattuso

Related Content

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Part of: Women Artists and Powerful Patrons

All Works in Curationist’s archives can be reproduced and used freely. How to attribute this Work:

Unknown, Dhanasri Ragini, circa 1680. National Museum of Asian Art. A woman, personifying a musical ragini or scale, paints a picture of her absent lover. CC0.

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