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Stand-in Fugen

Nombre del creador

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Kitao Masayoshi

Contexto cultural

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Japanese; Buddhist

Fecha

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Creación: 18th century, 19th century, Edo period

Acerca de la obra

Curationist LogoDescripción de objeto de Curationist

This ink painting on silk shows a courtesan, dressed in men’s clothes, riding a white elephant, the bodhisattva Fugen’s vehicle. As the tale goes, in the 12th century, an extremely wise courtesan skilled in poetry lived in Eguchi. One night, the monk Saigyō asked for shelter at her inn. She initially refused him, saying she didn’t want him to become attached to the worldly space of the brothel. When she did eventually let him in, they engaged in a long poetic exchange. Ultimately, the courtesan revealed herself to be Fugen. In another tale, a traveling priest met the courtesan of Eguchi, and saw a vision of her true form as a resplendent Bodhisattva every time he closed his eyes. Feminist scholar Etsuko Terasaki argues that the tale both reiterates and challenges medieval Japanese Buddhism’s association of womanhood with spiritual contamination. Read more about Japanese courtesans’ association with the divine.

Descripción de objeto de Cleveland Museum of Art
Here, a woman dressed as a man replaces Fugen, a bodhisattva—a being among those considered enlightened in Buddhism—who symbolizes learning as a path to awakening and typically rides an elephant. The painting teaches the lesson of impermanence through the petals falling from the lotus flower the woman holds. It also alludes to the legend of Eguchi, a 12th-century courtesan who, following an encounter with a Buddhist monk-poet called Saigyō, revealed herself to be a manifestation of Fugen.

Detalles de la obra de arte

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About Curationist

Stand-in Fugen

Creador

Kitao Masayoshi (Japanese, 1761–1824), artist;
北尾 政美, artist

Tipo de obra

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Scroll painting
Painting

Contexto cultural

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Japanese; Buddhist
Japan, Edo period (1615–1868)

Material

hanging scroll; ink and color on silk

Dimensiones

Painting only: 114.3 x 56.2 cm (45 x 22 1/8 in.); Including mounting: 186.7 x 76.2 cm (73 1/2 x 30 in.)

Técnica

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Idioma

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Fecha

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Creación: 18th century, 19th century, Edo period
Creation: late 1700s–early 1800s

Procedencia

(Nathan Chaikin, Switzerland, sold to Mr. and Mrs. Kelvin Smith); The Kelvin Smith Collection, Cleveland, OH, given by Mrs. Kelvin [Eleanor Armstrong] Smith [1899–1998] to the Cleveland Museum of Art, ?–1985; The Cleveland Museum of Art, Cleveland, OH, 1985–; The Kelvin Smith Collection, given by Mrs. Kelvin Smith

Estilo Período

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Ukiyo-e

Derechos

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CC0
CC0

Inscripción

artist's signature and two seals, lower right.

Ubicación

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Creación: Japan

Temas

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Tema descriptivo: Sex worker, Bodhisattva, Samantabhadra, Elephant, Cross-dressing, Chignon, Lotus, Woman, People

Tema

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Colaboradores de Curationist

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Reina Gattuso; Amanda Acosta; Jessica Gengler

Todas las obras de los archivos de Curationist pueden usarse y reproducirse libremente. Cómo asignar esta obra:

Kitao Masayoshi, Stand-in Fugen 見立普賢菩薩図, late 1700s–early 1800s. Cleveland Museum of Art. A woman rides a white elephant, evoking the story of the 12th-century courtesan of Eguchi, who was a manifestation of the bodhisattva Fugen. CC0.

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