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Ewer in the Form of a Phoenix

Nombre del creador

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Unknown

Contexto cultural

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Vietnamese

Fecha

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Creación: 15th century, 16th century

Acerca de la obra

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This elegant stoneware vessel from Vietnam is titled Ewer in the Form of a Phoenix in The Met records, but the bird it represents is more accurately identified as a fenghuang - a mythic creature from Chinese mythology that spread throughout East and Southeast Asia.


The fenghuang is often mischaracterized in the West as a "Chinese phoenix," yet its symbolism is distinct. Unlike the phoenix of Greco-Roman and Christian tradition, which embodies fiery death and rebirth, the fenghuang represents balance, virtue, and harmony. In Chinese thought it embodies the union of yin and yang, often appearing as a pair to signify the empress or feminine counterpart to the dragon, the symbol of the emperor. Rather than renewal through destruction, the fenghuang signifies moral order, peace, and prosperity.

Descripción de objeto de Metropolitan Museum of Art
Ewer

Detalles de la obra de arte

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About Curationist

Ewer in the Form of a Phoenix

Creador

Tipo de obra

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Ewer; Vessel
Ceramics

Contexto cultural

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Vietnamese
Vietnam

Material

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En general: Ceramic
Stoneware with underglaze cobalt blue decoration

Dimensiones

H. 11 1/2 in. (29.2 cm);
height: 29.2centimetre

Técnica

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Idioma

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Fecha

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Creación: 15th century, 16th century
ca. 15th–16th century

Procedencia

Gift of Betty and John R. Menke, 1992

Estilo Período

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Derechos

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Public Domain
Public Domain

Inscripción

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Ubicación

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Creación: Vietnam;
Descubrimiento: Indonesia

Temas

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Tema descriptivo: Fenghuang, Animal, Bird, Mythology
Phoenix

Tema

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Colaboradores de Curationist

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Abbad Diraneyya; Jessica Gengler

Todas las obras de los archivos de Curationist pueden usarse y reproducirse libremente. Cómo asignar esta obra:

Unknown, Ewer in the Form of a Phoenix, circa 15th–16th century. Metropolitan Museum of Art. A pitcher depicting the fenghuang, a mythological bird, made in Vietnam to be sold in Indonesian markets. Public Domain.

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