Terracotta statuette of woman with bird face
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By the 7th century BCE, Astarte’s cult had come to Cyprus and this terracotta figure may be one of her devotees. As Astarte's icons traveled throughout the Mediterranean, she evolved as a goddess of war, love, fertility, and hunting.
Fertility figures appear as anthropomorphic and zoomorphic throughout the Cypriotic periods. During a period of significant contact with the Levant peoples, bird-faced, female figurines became common, suggesting their influence.
This object was excavated from the tombs at Nicosia-Ayia Paraskevi. It is one of many mold-made terracotta works featuring avian characteristics. She holds a small infant in her arms, and has wide hips and an exaggerated pubic triangle.
Fertility figures appear as anthropomorphic and zoomorphic throughout the Cypriotic periods. During a period of significant contact with the Levant peoples, bird-faced, female figurines became common, suggesting their influence.
This object was excavated from the tombs at Nicosia-Ayia Paraskevi. It is one of many mold-made terracotta works featuring avian characteristics. She holds a small infant in her arms, and has wide hips and an exaggerated pubic triangle.
Descripción de objeto de Metropolitan Museum of Art
Statuette of a woman with bird face
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Unknown, Terracotta statuette of woman with bird face, circa 1450–1200 BCE. Metropolitan Museum of Art. Astarte evolved as a goddess of war, love, fertility, and hunting in the Mediterranean. This Cypriot, bird-faced figure may represent one of her devotees. Public Domain.
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